Let’s really get into the nitty-gritty of it and on a topic that actually terrified me when I began taking design classes; typography. If you’re just starting out or even if you’ve been in the this field for a while, understanding typography can take your work to the next level.
First things first; fonts. They’re not just letters on a page; they’re the voice and the attitude of the messages you’re conveying to viewers. Understanding the difference between serifs and sans serifs is of the utmost importance. Serif fonts have quirky little additions to the ends of their strokes (called feet) and give off a classic and even elegant vibe. Think of the very general and commonly known Times New Roman. Sans serif fonts, like Gotham, are clean, modern, and generally quite approachable. Then there are script fonts, which mimic handwriting and add a touch of flamboyance. Each font has a personality, and choosing the one with the right attitude can set the stage for your entire design.
Onto some other terms like “kerning,” “leading,” and “tracking.” These things are extremely important to mastering typography. Kerning is the space between individual characters, leading is the vertical space between lines of text, and tracking adjusts the spacing across an entire word or words. Understanding these will not only improve your designs but also help you communicate better with clients. Some of us like a little more breathing room between letters, and some of us like things tight.
Font pairing is next. This is an art in itself. Combining fonts can create visual interest and hierarchy, moving the viewer’s eye through a design. A good rule of thumb is to pair a serif with a sans serif. It’s a classic combination, but do not ever let this “rule of thumb” hold you back from experimenting with using font pairings of the same category; it can work too.
Now, for some dos and don’ts. Keep your line lengths on the shorter side—long lines are hard to read. Use hierarchy with headlines, subheads, body copy, caption copy, etc. to guide your audience’s attention. Don’t use too many different fonts in one project. Two or three max is a good suggestion. Please, please don’t stretch or squeeze your fonts (or logos). It’s a surefire way to make a professional design look completely amateurish.
Typography is a powerful tool in your design toolkit. Practice and master it, and you’ll see your designs elevate.